Jouin Manku drafts Korean panorama within the interiors of Van Cleef & Arpels Seoul Maison

Jouin Manku drafts Korean panorama within the interiors of Van Cleef & Arpels Seoul Maison

The Korean notion of nature is reasonably attention-grabbing, usually seen within the omnipresence of gardens in Seoul, inside palaces, personal homes, and temples. For Van Cleef & Arpels’ new retailer in Seoul, South Korea, Paris-based Studio Jouin Manku borrowed inspiration from this cultural trait of the nation. Marking 16 years of collaboration with the French luxurious jewelry model, Sanjit Manku and Patrick Jouin current the brand new retailer as an area, creating a possibility, sharing on the planet’s fascination with jewelry design. Narrating nature, the forest and its enchantment because the essence of Van Cleef & Arpels Maison, the architect shares, “The mountain is the best level on the intersection of sky and floor, a spot of serenity, wealthy in endemic vegetation, distinctive and prodigious, and charged with spirituality,” and in addition the soul of this idea.



  • Jouin Manku drafts Korean panorama within the interiors of Van Cleef & Arpels Seoul Maison
    After Paris, New York, Hong Kong and Tokyo, Studio Jouin Manku has accomplished Van Cleef & Arpels’ Maison in Seoul Picture: © Yongjoon Choi






  • Patrick Jouin and Sanjit Manku of Studio Jouin Manku were entrusted with the architectural conception of the building, the interior architecture and the design of every final detail | Van Cleef & Arpels | Jouin Manku | STIRworld
    Patrick Jouin and Sanjit Manku of Studio Jouin Manku had been entrusted with the architectural conception of the constructing, the inside structure and the design of each remaining element Picture: © Yongjoon Choi



Reflecting on the wealthy variety of the metropolis—the place skyscrapers, fashionable developments and a vibrant leisure tradition sync with conventional Buddhist temples, historic palaces and road life—the Van Cleef & Arpels retailer expresses hyperlinks between the east and the west. Bridging the richness of Korean tradition with the French model’s craftsmanship and heritage, the retail design borrows from contextual influences and realises them by way of modern structure. “No query of bringing in concepts of favor, however reasonably of teasing out a complicated mix, inextricably combining commerce and tradition, modern and craftsmanship. Jouin Manku has put its imaginative and prescient of European and occidental structure to the take a look at by endeavouring to embrace Korean concepts, reflecting the nation’s huge cultural wealth within the challenge. Advocating the spirit of opening as much as the world to be able to discover our pure place in a brand new ecosystem,” state the Parisian design studio.



  • The project seeks to offer Korea a Van Cleef & Arpels showcase, exposing its level of craftsmanship, its heritage and taste for the arts and culture | Van Cleef & Arpels | Jouin Manku | STIRworld
    The challenge seeks to supply Korea a Van Cleef & Arpels showcase, exposing its degree of workmanship, its heritage and style for the humanities and tradition Picture: © Yongjoon Choi






  • Studio Jouin Manku has put its vision of European and occidental architecture to the test by embracing Korean ideas, reflecting the country’s vast cultural wealth in the project | Van Cleef & Arpels | Jouin Manku | STIRworld
    Studio Jouin Manku has put its imaginative and prescient of European and occidental structure to the take a look at by embracing Korean concepts, reflecting the nation’s huge cultural wealth within the challenge Picture: © Yongjoon Choi



Throughout the 5 ranges of the buildings, the designers have integrated the idea of a backyard into the indoors, thereby creating a number of intriguing panorama interventions within the inside design. Blurring traces between indoors and open air, home and backyard, and tradition and commerce, the panorama design evolves within the interiors, giving beginning to a number of purposeful areas which might be passively separated by backyard options.

For designing the panorama, Studio Jouin Manku employed YoungSun Jung’s group of panorama designers at South Korea-based SeoAhn Whole Panorama (STL). The agency has an expertise of designing landscapes and gardens in Korea, and with their data of the Korean setting and its endemic species managed to recreate the setting of a typical Korean mountain, contained in the Seoul retailer of Van Cleef & Arpels. On every ground, the panorama design adorns a special id—various from planters, rock clusters, and terrace gardens.



  • Nature, the forest and its enchantment are the essence of Van Cleef & Arpels Seoul Maison | Van Cleef & Arpels | Jouin Manku | STIRworld
    Nature, the forest and its enchantment are the essence of Van Cleef & Arpels Seoul Maison Picture: © Yongjoon Choi






  • The interior design blends Korean material and craft cultures with contemporary principles of modern design | Van Cleef & Arpels | Jouin Manku | STIRworld
    The inside design blends Korean materials and craft cultures with modern ideas of contemporary design Picture: © Yongjoon Choi



“The vegetation invitations itself into the constructing, it doesn’t beautify it, it’s the panorama on each ground, from the façade to the roof. The customer wanders by way of the constructing as if on a pathway, which they comply with to admire the jewels that seem like suspended, built-in into this nature,” provides Studio Jouin Manku. 

Moreover, the jewelry shows undertake an attention-grabbing type, showing to be an summary of bushes. With a trunk-like pedestal that concludes on a glass bell jar, the design of the jewelry show platforms extends to many analogies. Paying homage to the rose from the Magnificence and the Beast, right here the jewelry turns into the dear rose.



  • Blurring the lines between indoors and outdoors, the subtle pastel tone of the interiors marries the earthy tones of greens and brown | Van Cleef & Arpels | Jouin Manku | STIRworld
    Blurring the traces between indoors and open air, the delicate pastel tone of the interiors marries the earthy tones of greens and brown Picture: © Yongjoon Choi






  • The landscape designers’ knowledge of the Korean environment and endemic species allowed them to recreate a typical Korean mountain nature | Van Cleef & Arpels | Jouin Manku | STIRworld
    The panorama designers’ data of the Korean setting and endemic species allowed them to recreate a typical Korean mountain nature Picture: © Yongjoon Choi



Moreover, the affect of Korean structure and tradition will also be witnessed within the materials palette of the shop. The partitions have been coated in Hanji, an ancestral Korean craft. Speaking about their imaginative and prescient behind working with the distinctive craft, the designers share, “Due to the quite a few traits with which it’s endowed, Hanji has had, and nonetheless has right now, a mess of makes use of, from probably the most unusual to probably the most shocking, comparable to its longevity–of about one thousand years towards 2 hundred years for our European paper–and its distinctive solidity. Filtering the sunshine, which it sifts, and letting the air flow into, the ‘paper that breathes’ was for a very long time a central factor of the Korean inside.”



  • The facade is composed of 207 intersecting elements and rhythmed by 3900 unique pieces of Yeoju celadon ceramic, 3900 aluminium pieces, and 120 light sources | Van Cleef & Arpels | Jouin Manku | STIRworld
    The facade consists of 207 intersecting parts and rhythmed by 3900 distinctive items of Yeoju celadon ceramic, 3900 aluminium items, and 120 gentle sources Picture: © Yongjoon Choi






  • Combining tradition and modernity, the facade design adorns a diamond pattern realised using celadon, the traditional Korean ceramic and cast aluminium | Van Cleef & Arpels | Jouin Manku | STIRworld
    Combining custom and modernity, the facade design adorns a diamond sample realised utilizing celadon, the normal Korean ceramic and solid aluminium Picture: © Yongjoon Choi



One other distinctive characteristic of the design is the detailed glass facade. Combining custom and modernity, the facade design adorns a diamond sample, realised utilizing celadon, the normal Korean ceramic and solid aluminium. “This mixture of celadon and aluminium envelops the constructing, which encloses the gardens and the inside areas, however it’s additionally one thing that forestalls you from feeling like you might be in a fishbowl, due to the ground to ceiling glass,” share Sanjit Manku and Patrick Jouin of Studio Jouin Manku. The facade consists of 207 intersecting parts and synced by 3900 distinctive items of Yeoju celadon ceramic, 3900 aluminium items, and 120 gentle sources.



  • The project is decorated with 634 sq.m of sheets of Korean Hanji paper | Van Cleef & Arpels | Jouin Manku | STIRworld
    The challenge is embellished with 634 sq.m of sheets of Korean Hanji paper Picture: © Yongjoon Choi






  • 35 per cent of the surface area is given over to interior and exterior landscaped areas | Van Cleef & Arpels | Jouin Manku | STIRworld
    35 per cent of the floor space is given over to inside and exterior landscaped areas Picture: © Yongjoon Choi






  • The visitor wanders through the building as if on a pathway, which they follow to admire the jewels that appear to be suspended, integrated into this nature | Jouin Manku | STIRworld
    The customer wanders by way of the constructing as if on a pathway, which they comply with to admire the jewels that seem like suspended, built-in into this nature Picture: © Yongjoon Choi



They additional add, “This challenge supplied us the chance to think about an entire new constructing, a construction that might set up Van Cleef & Arpels as a outstanding characteristic within the Seoul panorama. Over 5 ranges, we’ve got designed a dreamlike pure decor with areas suited to internet hosting inventive features—exhibitions and conferences—together with an itinerary wherein vigorous areas alternate with intimate islands of tranquillity.”



“It was not just a matter of reducing the boundary between culture and commerce, inside and outside, between house and garden, these two elements had to merge in total harmony, share the designers | Van Cleef & Arpels | Jouin Manku | STIRworld
“It was not only a matter of lowering the boundary between tradition and commerce, inside and outdoors, between home and backyard, these two parts needed to merge in whole concord,” share the designers Picture: © Yongjoon Choi


Mentioning the model’s presence in Seoul with the brand new home, Nicolas Bos, President and CEO of Van Cleef & Arpels mentioned, “With the creation of this new Maison, we’re celebrating ever stronger bonds with this nation, identified for a protracted custom of workmanship, that echoes the values espoused by Van Cleef & Arpels. Certainly, the boutique was designed to type a union between the French jewelry custom and Korean cultural heritage, and to nurture this dialogue for years to come back.”

Undertaking Particulars

Title: Van Cleef & Arpels La Maison Seoul

Location: 441, Apgujeong-ro, Gangnam-gu Seoul, South Korea

Design: Studio Jouin Manku

Design Crew: Patrick Jouin, Sanjit Manku Jacques Goubin, Yann Brossier, Olivier Evrard, Dorien Peters, Julien Lizé

Studio Location: Paris, France

Govt architect: DPJ & Companions – David Pierre Jalicon – Seoul, South Korea

Lighting Designer: Voyons Voir – Stéphane Carratero – Paris, France

Panorama Designer: STL – Web optimization-Ahn Whole Panorama – YoungSun JUNG – Soojeong KIM – Seoul, South Korea

Normal architectural contractor facade: JLCOM

Celadon Ceramic for Facade: Maison Objet 

Normal Inside Design Firm and Stair: JOIN

Furnishings: Studio Jouin Manku (bespoke design) and Studio Patrick Jouin iD (Ester assortment for Pedrali / Manda and Vendôme assortment for Starset)

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